De pers over een aantal (buitenlandse) voorstellingen die dit jaar op het Amsterdam Fringe te zien zijn: “[…] frenetic, pitch perfect duo from Amsterdam, who do more with a banana and a gymnastics mat in one hour than some Broadway musicals do with a lavish set in three. I beseech you: go see this show.”
**** PRAGUE.TV about ‘The crying cherry’ (Huilende Kers) “A sharp, compassionate and deeply felt show”
**** THE SCOTSMAN about ‘In a thousand pieces’, Paper Birds
''Actress Anna Hermanns uses a grotesque style in Scala. Once you get used to this, it works utterly humoristic.''
**** DEADLINE Over ‘Meesterlijk: Fresh from the Edinburgh Fringe. De Ponies met ‘Scala’
“I am convinced that there is no more important composer working today, than John Moran. His works have been so advanced as to be considered revolutionary.”
***** PHILIP GLASS about John Moran, ‘
John Moran & his neighbour Saori’ “Het is zo passend dat je je afvraagt waarom niemand er eerder is?opgekomen.”
***** NRC Handelsblad (vanuit Senegal) Over ‘Op Hoop van Zegen’, Europese première Amsterdam Fringe Festival
“McQuilken takes charge of multiple technologies to create a single, integrated stage-work… In a very real sense, Dig Nation is the future of theatre… Don’t miss this show.”
**** The Seattle Weekly About ‘A day in Dig Nation’
“Daska Theatre from Croatia is the most eloquent of a crop of memorial shows, beautiful, touching and full of angry questions about the freedom of writers everywhere.”
**** The Scotsman About ‘The Murdered Writers’ Society’
"GO! Recommended! . . . Savage, strikingly ambitious and creative!"
***** LA WEEKLY About Theatre Revelation, World première ‘The Devil has a Sister’ Amsterdam Fringe Festival